Prague beckons boys from their poverty to the promise of a better life.With each arriving train another innocent steps off into a maelstrom andthe new "rabbit" is quickly lured into the world of drugs andprostitution. Often,when the director isn't bashing you over the head with his point, the boysmanage to say something of real interest, though. The head pornographer does autopsies for a living,which allows the director to cut between the pornographer cutting up fleshand directing the boys like pieces of meat. This time the focus is on how the boys are manipulatedand apparently abused in the porn industry, also with the Germans cast asthe devils behind it all. BODY WITHOUT SOUL is equally manipulative and usesthe same loud Requiem. Of course few of them are reallygay, and there are intercut shots of scary old Germans and Prague fountainswith uplifting music. In that film we learned all about the tragic fate of the youngboys who are forced to sell their bodies. This film was billed as a sequel to Grodecki's incredibly manipulative filmabout Prague rent boys, Not Angels but Angels (1994, availableon video). Rather they speak oftheir lives in often gruesome and stripped-bare details, leaving us chilledby their short and fragile lives in grasp of the oldest trade on earth.(from the official blurb). The young hustlers' disarming frankness and need to talk become the compellingengine that drives the film. Young men trying to live up to the standards of Western consumerismreadily fall prey to quick, easy money from hustling. The economic boom andthe recently won political freedom have turned that beautiful, gracefulcity into a new mecca for both Eastern and Western tourists in search ofsex.
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My article on these: "Who's Renting These Boys?"Ī documentary about boy prostitution in Prague. WIKTOR GRODECKI'S CZECH HUSTLER DOCUMENTARIES: It obviously struck a chord, becoming the audience favorite at the Pula festival in '02 as well as Croatia's nominee for an Oscar the following year. The film takes aim at the brutality and amorality of contemporary Croatian society, targeting patriarchy, nationalism, and the Catholic Church, as well as homophobia. In Fine Dead Girls Iva and Marija move into an apartment building that is home to a rogues' gallery of characters: a war veteran suffering from post-traumatic stress, a prostitute paid to break up the couple by a priest who is one girl's father, a homophobic gorgon of an apartment manager, and her son, a slacker mama's boy who rapes one of the pair to prove his masculinity. The sole woman among the leads is the cause of all conflict, while Milan's father and best friend accept his gay affair with equanimity.įine mrtve djevojke (Fine Dead Girls) 2002 Though firmly anti-Serb and anti-war, the film reads as ultimately misogynistic. Ranka eventually outs the gay men to Milan's father, while Milan is drafted into the Serbian army and killed.
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These two men barely kiss onscreen, though Kenan, who is bisexual, is shown having sex at least twice with Ranka, the village prostitute. The pair escape to Milan's village, where the disguise is maintained through a traditional wedding. Updated April 26, 2022: If you love tearjerkers, you'll be happy to know we've updated this article with additional content and entries.A gay male couple in Sarajevo, Kenan, a Bosnian, and Milan, a Serb, plan to emigrate to the gay-friendly Netherlands, but the war strands them in Serb-controlled territory, and Kenan adopts female drag to avoid being found out as a circumcised Muslim. So, whether it's romantic dramas, stories of families torn apart or reunited after many years, or even tales of injustice on an individual or massive scale which reduce one to a puddle of tears, these are some of the best-certified tearjerkers. After all, that is what is so magical about movies - the best ones accomplish something so universal through stories that are incredibly specific. These films elicit an emotional response because they hit on something personal for people, something we can latch onto and relate to, even if they seem to bear no resemblance to one's own life. While one might not want to watch a sad movie every day, there's nothing like the true catharsis of shedding a tear because of an on-screen tragedy, igniting every ounce of empathy in the body. The movies on this list all fall into the latter category for different reasons, but definitely shouldn't be movie night picks unless a person is ready to feel something. We turn to comedy movies to make us laugh, horror movies to make us scream, and yes, sad movies to make us cry. As a vehicle for emotion, few other mediums are as powerful as the moving image.